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HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Der schwarze Gefangene Le Bras wartet auf der Teufelsinsel auf seine Hinrichtung durch die Guillotine. In seiner Verzweiflung versucht er, einen Wärter zu töten. Zellengenosse Davert kann dies gerade noch verhindern. Daraufhin weiht Le Bras seinen Mitgefangenen in einen Fluchtplan ein.

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

The world strongest man learns how to embrace his mental health challenges by confronting his inner demons and dealing with his biggest failure to date which ultimately changes his life.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.

Generaldirektor Bender, Chef einer Firma, die Musikboxen produziert, hat von den Kapriolen und der Schlagerleidenschaft seiner hübschen unbändigen Tochter Evelyn endgültig genug. Um sie endlich zur Vernunft zu bringen, steckt er sie in ein streng geführtes Internat. Dort allerdings stellt Evelyn zusammen mit dem umschwärmten Musikstudenten und Bandleader Hans Breuer die Schule auf den Kopf. Statt Bach-Fugen und Chorgesänge ertönen plötzlich flotte Schlager – sehr zum Entsetzen der adligen Internatsleitung.

Chilly Willy goes deep sea fishing coming up with an old shoe which he proceeds to cook.

After the woman who raised him claims he's not her son, Richard searches for clues about his identity. Urged on by his mentor, Capt. Randolph Courtney, Richard focuses on Julia Trent Anders, a middle-aged actress who just might be his real mother. But soon, Richard begins to fall for Julia's stepdaughter. Amidst the upheaval, Richard schemes to return Julia to the stage -- but he's in for another big surprise.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

Die 17-jährige Petra aus Norddeutschland soll in München die Wohnung ihrer Freundin hüten. Aber schon am ersten Abend wird die schüchterne junge Frau von der ausgelassenen Partystimmung der bayerischen Metropole mitgerissen. Sie landet auf einer frivolen Feier der Schwabinger Schickeria, wo schon bald alle Hemmungen (und Hüllen) fallen.

When Cobra develops a secret bio-weapon on their hidden island base, GI Joe is called in to stop them. A daring invasion is executed with Snake-Eyes squaring off against Storm Shadow, his old nemesis. But the Joes learn that Cobra is a slippery snake when they fail to capture the bio weapon.