A young woman's journey into lust, love, sexual awakening, and murder.

When the Danish group Lukas Graham were starting out in 2012, they could never in their wildest dreams have imagined the journey they were embarking on. A journey, which would transport them from their humble roots in Copenhagen to performing on the GRAMMYs stage in Los Angeles.

Ein von Gier zerfressener Wissenschaftler hat das Skelett des Monsters Yonggary gefunden und erhofft sich nun, mit den Überresten ein Vermögen zu machen. Trotz aller Warnungen eines Kollegen, der felsenfest davon überzeugt, ist das Yonggary wieder zum Leben erwachen wird, lässt er sich nicht von seinem Vorhaben abbringen. Doch als ein Alienschiff einen Energiestrahl auf das Monster abfeuert, erwacht Yonggary zu neuem Leben...

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Zufällig stoßen die fünf Geschwister Pusle, Blop, Michael, Jan und Amalie auf ein Foto eines alten Mannes mit Bart und seltsamer Ausrüstung. Schnell ist klar: Es ist ihr Großvater, der vor vielen Jahren nach Kanada ausgewandert ist, um Goldgräber zu werden. Voller Abenteuerlust reisen die Fünf sofort nach Kanada zu ihrer Tante Anna. Dort angekommen, erfahren sie von einer mysteriösen Geschichte rund um eine alte Mine samt Schatzkarte. Vom Goldfieber gepackt, machen sich die Geschwister auf, die verlorenen Kostbarkeiten zu finden. Bei ihrer abenteuerlichen Suche werden sie nicht nur von Bewohnern der kanadischen Wildnis überrascht, sondern auch von zwei verdächtigen Gesellen, die ebenfalls hinter dem Gold her sind.

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

Akin to Private Benjamin, this comedy deals with the tough life of female army recruits going through basic training. Through their training they come to realize that there is more to being tough than having muscles.

What would have happened if the Neanderthals had prevailed over Homo Sapiens? How would our species have evolved? How does art relate to evolution, and why in the world does evolution behave like a bricoleur? Last of all, just what does Marcel Duchamp have to do with all of this? This film is neither a documentary nor a portrait of the artist Pable Echaurren; it’s a kaleidoscopic meditation on our past, present and future.

Pride Critical Countdown 2005 was a mixed martial arts event held by the Pride Fighting Championships. This event held the second round of the Pride Middleweight tournament. It took place at the Saitama Super Arena in Saitama, Japan, on June 26th, 2005.

A white youth raised in the jungle by animals is captured by a safari and brought back to civilization as an attraction in a circus.

Romy und Sasha sind Cousinen und bei ihren alleinerziehenden Müttern im Berlin der Wende wie Schwestern groß geworden. Heute ist Sashas Geburtstag und zur Feier des Tages landet Hanne, die Oma der beiden, mit zwei Promille und Käsetorte im Krankenhaus. Wie jedes Jahr versucht Romy, Hannes Eskapaden vor den Müttern geheimzuhalten. Und wie immer schmeißen diese ihren Töchtern eine Party. Sie tanzen und feiern dabei das Leben und die Tragik. Während Sasha mit ihnen tanzt, steht Romy nur daneben. Manchmal braucht es nur einen Tag, um zu erkennen, dass man schon längst nicht mehr der ist, der man vorgibt zu sein.

RayShawn "Shawn" Sanders is released from prison after serving his bid for his crimes; however, after being hired by Jonathan McAllister, Shawn realizes that life behind bars may have been a lot easier than what he has to face as the assistant to one of the biggest media moguls in the country. After battling for his life in prison, Shawn is now in a war against greed, ambition, corruption, deceit, and lust - and that could ultimately cost him everything.

A man learns an unexpected lesson about the power of the written work in this dark independent comedy from Canada. Martyn (David Hewlett) is a young man who seems to be devoting his life to going to college; he's persuaded into stealing a rare and valuable book, but the burglary goes awry and Martyn is forced to kill a book dealer when he tries to hold on to the previous volume. Martyn now has to make a getaway, get rid of the body, and deliver the purloined letters, but there's a problem -- his car won't start. Martyn finds Theresa (Tanya Allen), a beautiful female auto mechanic, and persuades her to fix his vehicle. She agrees, but Martyn soon realizes that her boyfriend is the man he's just murdered. Theresa soon catches on that Martyn has stolen the book, and displays a greater interest in his ill-gotten literature than her boyfriend's death or repairing the car.

A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.