The story of Lena, the light-skinned daughter of an Aboriginal mother and Irish father and Vaughn, a Murri boy doing time in a minimum security prison in North West NSW. Dramatic events throw them together on a journey with no money and no transport. To Lena, Vaughn represents the life she is running away from. To Vaughn, Lena embodies the society that has rejected him. And for a very short amount of time, they experience a rare true happiness together.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Marc-Antoine, a solitary 30-something with an outdated appearance, sees a new neighbour arrive in the building opposite his home, on the other side of the courtyard. He discovers that Amélie, an unacknowledged high school sweetheart, is his girlfriend. Resembling this neighbour then becomes an obsession.

When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

A woman, stressed before an import job interview, goes on a journey of self-discovery through her own subconscious.

An undercover Army captain links missing gold and murder to a gambler's ghost.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

As the summer of 1980 ends, 16 and 17 year old sisters Maria and Alda flee to Lisbon from Angola?s civil war. In the hands of fate, they must learn to live without money in a foreign city. On the edge of the law, the two have to grow up and become women. When the problems are already overwhelming, news comes that makes them unbearable. This blow, however, will give them the push to decide their futures: Alda is going to France and Maria back to Angola in search of her roots.

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

Govoreči maček, zlobni grof, grbavec in lepa princesa - tale risanka ima vse sestavine klasične pravljice. Carabass, sin revnega mlinarja, je razočaran, ko podeduje garjavega mačkona. Toda ko mu maček reši življenje, mu je hitro jasno, da to ni samo navaden mačkon. Carabass po naključju sreča kraljevo hčer in se zaljubi vanjo. Zaveda se, da njegova ljubezen ne bo uslišana, saj nima ne denarja ne lepih oblek in ga preganja zlobni grof. Zabava se začne, ko mu priskoči na pomoč prebrisani maček, ki je skoval načrt, s katerim bosta prelisičila grofa in pridobila naklonjenost kraljeve družine.

The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.

Based on Edgar Allan Poe's iconic poem "The Raven", "Nevermore" explores the musicality, stylized language, and the supernatural atmosphere of the iconic poem. A lone violinist tells the story of a raven's mysterious visit and conversation with a distraught lover to tracing the man's slow fall into madness.

A young woman's journey into lust, love, sexual awakening, and murder.

Actor Yoo Ji-Tae’s directorial debut feature film is one part melodrama, one part comingof-age story about Soo-young, a miserable thirtysomething man and Mai-Ratima, a 22-year-old Thai girl who accepts a mail order marriage in order to realize her Korean Dream. Into their relationship comes Young-jin, a hostess, slowly turning it into a love triangle.