The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.

The worlds of glitz, glam, and pop-rock fused immortally on Goodbye Yellow Brick Road, born of the formidable partnership of Elton John and Bernie Taupin. This 1973 double album may well have been the peak of their collaboration. Ranging from perennial favorites like "Candle in the Wind," "Bennie and the Jets," and the title track to more ambitious compositions like "Funeral for a Friend/Love Lies Bleeding" and everything in between, Goodbye is unmatched in its depth and scope. This entry in the Classic Albums series of DVDs documents the often tumultuous writing and recording sessions for that masterpiece through vintage clips of the musicians in the studio and new interviews with Elton, Bernie, producer Gus Dudgeon, and the band members. We may never know how the John-Taupin team achieved their magic, but this release offers a both a peek at the process and a few reasons why the album endures today.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.

Marco has found the perfect girl in Divina. Though they've only spoken on the phone, they're convinced they're meant to be together. One problem: Divina's living in 1957 and Marco in 2006.

In this western, the Three Mesquiteers team up with a Texas Ranger to round up the outlaws who forced the ranger's younger brother into becoming a criminal.

Four interlocking stories about pregnancy all intersecting in an obstetrician's office.

One day, a man living in pain with a hole in his heart due to loneliness and solitude meets himself as a child.

This is where it all began....

A family living in poverty, in a tiny house with no furniture. When mama goes to sleep, the youngsters head out to rustle up some firewood. Apparently that's illegal, so some forest rangers seize them and the wood to bring to a well-dressed man.

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

A travelling theater-company performs Offenbach's "The Beautiful Helene" when an officer in the audience notices the similarity in appearance between the leading actor Leonard Pettersson and the king Charles XV.With Pettersson dressed as the king and the other actors as the royal suite, they all go to Herrsunda castle where the officer is trying to make an impression on his fiance.

A modern answer to Luis Buñuel's mythical documentary “Land Without Bread” (1933) about Las Hurdes, a historically impoverished region of the province of Cáceres, in Extremadura, Spain, and also a journey of discovery of the soul of this beautiful land and its inhabitants.

In this short film set in the Team Fortress 2 universe, the BLU team realise that an unwanted guest from the RED team is in their base.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.