"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

A private chauffeur drives you around, wherever you like, whenever you like, but do you even know who or what drives you?

It's bedtime at the Clubhouse and everyone's ready for their favorite bedtime stories! Unfortunately, Goofy's magic trick makes all the stories disappear from the Clubhouse books!

On the final stop before the 8th Anniversary show, Stardom presented its strongest booked show on the New Years Wars tour. Starting the show with a crazy brawl definitely set the tone for the rest of the night. There's not a single bad match on this card (the opener served its purpose) and the main event was an outstanding contest. Highly recommended show.

School is over for the day. A stationary camera is trained on the door of the high school at the top of a few stairs. A man and small boy emerge, followed by wave after wave of boys, each in jacket and tie, most wearing caps. A few are arm in arm. At least 150 boys and young men appear. Then about 120 women and girls appear, parting to go in either direction down the sidewalk in front of the school. All are in long skirts and wear big hats; most wear blouses and jackets or coats. Some are adults; most seem older than the boys who've left just ahead of them. The last person to leave is a gentleman.

Luke O'Brien, a washed-up salesman turned night law student, decides to sue Satan for $8 trillion dollars. On the last day before Luke files a default judgment, Satan appears to defend himself. On Satan's legal team are 10 of the country's best trial lawyers. The entire world watches on Legal TV to see who will win the Trial of the Century

A genius recluse with amnesia awakens to find he has built a machine that extracts memories from the dead. He uses those memories to discover who he is and to rebuild a perfect past for himself.

Testessen bei den Berggorillas ist immer eine ganz besondere Angelegenheit. Aber auch die jungen Pinguine im Trainingslager und die Seelöwen beim "Schwanensee-Löwen-Ballett" zeigen wieder umwerfende Bilder.

Zwei Menschen warten aufeinander. Ihre Wohnung wartet mit ihnen und auf sie. Zusammen leben sie Seite an Seite. Jemand kommt, jemand geht, die Wohnung bleibt, wo sie ist.

Landing on a small island not far from Havana, Cuba, Lt. Cmdr. Ben Staves joins a Navy scientific project engaged in finding an effective shark repellent to help save the lives of WWII military personnel stranded in shark-infested waters. His zeal for completing the project as fast as possible is explained by his having lost a large percentage of his crew to sharks when his ship was sunk by the Japanese. Against the advice of the others on the project, Staves demands that the new repellent be tested on a live subject surrounded by hungry sharks and will allow no one but himself to be the test subject!

A look a Vietnam from the perspectives of a US Marine adviser and a Vietnamese Marine left behind.

Joseph Kuo's final film.

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Animated short film.