'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.

Directed by Zbigniew Gniazdowski and Aleksander Hertz.

Dieser Film ist eine ebenso abenteuerliche wie atemraubende Reise durch das Deutschland von heute, gestern und vorgestern. Mit ihr wird die dramatische Ursprungsgeschichte dieses Landes vom Karbon bis in unsere Tage erzählt. Sie führt von den höchsten Alpengipfeln bis zu den rauen Nordseeküsten – von den Kratern der Eifel bis in das Flusslabyrinth des Spreewaldes. Damals – vor rund 300 Millionen Jahren – schwirrten beispielsweise riesige Libellen durch Dutzende von meterhohen Farnwäldern. Im Laufe der Erdgeschichte begegnen wir aber auch sterbenden Dinosauriern, treffen am Rhein auf Nashörner und Elefanten und stoßen in Heidelberg auf den wohl ersten Menschen. Später dann tauchen die Neandertaler auf und verschwinden plötzlich wieder – aus heute noch nicht geklärter Ursache. Und schließlich macht sich nach und nach der moderne Mensch breit und beginnt seine Umwelt zu gestalten.

Der 16-jährige Bucky will Filmregisseur werden und für einen Wettbewerb einen Horrorfilm drehen. Als ein Meteorit Buckys Vater in einen hirnfressenden Zombie verwandelt, findet er kurzerhand in ihm die perfekte Besetzung für seine Hauptrolle.

The film is based on the motifs of Azerbaijani folk tales.

Halfried Seelig wird nach früheren Anfeindungen inzwischen weithin dafür anerkannt, was sie macht. Ihre Tochter Marion versucht nach der Trennung von ihrem Mann Thomas in ihrer ehemaligen Heimat erneut Wurzeln zu schlagen. Leicht wird es ihr nicht gemacht, besonders nicht von ihrer heranwachsenden Tochter Laura.

Finding heavy metal stardom as teenagers, Kittie has been thrashing for the past 20 years. With 6 albums and over 2 million in sales, they have defied industry norms, fought against rock stereotypes, and inspired generations.

When a thirty-something travel nurse meets a friendly mortician at a Guns 'N Roses concert, she thinks she's finally found her match -- until he ghosts her the next day. Overwhelmed, she turns to her four gay best friends for support as she confronts hard truths and figures out her next move.

Arjun, a hot headed but soft hearted man, always finds himself in situations that others take him as a bad person. His childhood teacher Masterji is the only person understands him & appreciates his good quality and Arjun follows his instruction/wishes completely. Arjun loves Aarti and wants to marry her but Aarti's father does not endorse this alliance and decides to get her marry to someone else. Arjun is agitated but Masterji calms him down and asks him to not disrupt this marriage, instead convince Aarti to marry the boy her father has chosen for her. Arjun follows what Masterji has asked him. Devastated Arjun finds love in Margret who he has been fighting with since she came to town. Now Margret's uncle and mother are against their marriage. This time Arjun is not lenient and does not even listen to Masterji. Arjun and Margret run away and commit suicide jumping down a mountain.

by Wrik Mead

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

Gili has a clear and violent agenda towards male sexual offenders. When she discovers her younger brother is suspended from school for a similar violation, she finds it difficult to comprehend the limits of her power to repair the world.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Abstract art film made for gallery exhibition.