Since he wants get married, the young Carabel, who is employed in a real estate agent, decides to ask their bosses for a raise in order to maintain his future wife. However, all he gets is to be fired. He then realizes that honesty is what has led him to unemployment and decides to change his life and live outside the law. He plots to steal the safe from his former company

Im Wilden Westen herrschen raue Sitten. Als Jim Vesser (Edmund O'Brien) mit seinen Kollegen dabei ist, eine Eisenbahnlinie durch schwer zugängliches Gebiet zu bauen, da müssen sie sich mit ein paar widerlichen Kontrahenten auseinandersetzen. Denn die Gier treibt die Leute eines anderen Teams dabei an, Vesser und seine Arbeit zerstören zu wollen, um selbst das Geld von der Eisanbahngesellschaft einheimsen zu können. Der Kampf um den Eisenbahnbau eskaliert.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

Nestled below the rugged peaks of the Northern Rockies and along the crystal-clear Kootenai River lies the small logging town of Libby, Montana - an ironic setting for a town where many hundreds of people are sick or have already died from asbestos exposure.

Two childhood friends take a rifle into the mountains, and return with a secret.

An undercover Army captain links missing gold and murder to a gambler's ghost.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

On a secluded base in Arizona, veteran World War I pilot Steve Britt trains flyers to fight in World War II. One of his trainees, Englishman Peter Stackhouse, competes with Britt for the affections of Kay Saunders, the daughter of a local rancher. Despite their differences, Britt makes sure Sutton passes his training and becomes a combat pilot -- even though he loses Kay to the young man in the process.

Zufällig stoßen die fünf Geschwister Pusle, Blop, Michael, Jan und Amalie auf ein Foto eines alten Mannes mit Bart und seltsamer Ausrüstung. Schnell ist klar: Es ist ihr Großvater, der vor vielen Jahren nach Kanada ausgewandert ist, um Goldgräber zu werden. Voller Abenteuerlust reisen die Fünf sofort nach Kanada zu ihrer Tante Anna. Dort angekommen, erfahren sie von einer mysteriösen Geschichte rund um eine alte Mine samt Schatzkarte. Vom Goldfieber gepackt, machen sich die Geschwister auf, die verlorenen Kostbarkeiten zu finden. Bei ihrer abenteuerlichen Suche werden sie nicht nur von Bewohnern der kanadischen Wildnis überrascht, sondern auch von zwei verdächtigen Gesellen, die ebenfalls hinter dem Gold her sind.

Romy und Sasha sind Cousinen und bei ihren alleinerziehenden Müttern im Berlin der Wende wie Schwestern groß geworden. Heute ist Sashas Geburtstag und zur Feier des Tages landet Hanne, die Oma der beiden, mit zwei Promille und Käsetorte im Krankenhaus. Wie jedes Jahr versucht Romy, Hannes Eskapaden vor den Müttern geheimzuhalten. Und wie immer schmeißen diese ihren Töchtern eine Party. Sie tanzen und feiern dabei das Leben und die Tragik. Während Sasha mit ihnen tanzt, steht Romy nur daneben. Manchmal braucht es nur einen Tag, um zu erkennen, dass man schon längst nicht mehr der ist, der man vorgibt zu sein.

Eight gay shorts culled from top film festivals - A cross-section of some of the best recent gay shorts culled from top film festivals including Slamdance, Outfest, Frameline and more. Included are the award-winners BEDFELLOWS, CURIOUS THING, MY NAME IS LOVE, and STEAM. Whether inspired by a poem about teenage longing or a melange of interviews with gay men in New York, the shorts collected here share one thing in common: they were among the crowd favorites at film festivals across the country.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

UFC 248: Adesanya vs. Romero was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on March 7, 2020 at the T-Mobile Arena in Paradise, Nevada. A UFC Middleweight Championship bout between the current champion Israel Adesanya and former interim title challenger (as well as 2000 Olympic silver medalist and former world champion in freestyle wrestling) Yoel Romero headlined the event.

In a fishermen's town in Texas, the kids Amy and Raul are close friends. Andrew, uncle and guardian of Amy is alcoholic, but she loves him. The three of them have to face the autorities when they try to take Amy away.