When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

Using rare archival footage and interviews with noted artists, philosophers, and scholars such as Huston Smith, this film examines the life and teachings of D.T. Suzuki, the celebrated Japanese religious philosopher who first brought Zen Buddhism to the West. This film explores Suzuki's travels in America, his teachings on satori (enlightenment) and other Buddhist concepts, his influence on Western art and psychology, and more.

CIA-Agent Perry Grant ist wieder im Einsatz: Als Modedesigner getarnt leitet Roland in Rom eine Verbrecherorganisation. Sie entwickeln teuflische Waffen, um zuerst ihr Land zu beherrschen und später die ganze Welt. Eine heiße Spur führt Perry Grant in die Geheimgänge unter dem Kollosseum. Schwer kommt er hinter das Geheimnis der Geheimgänge, da die Verbrecherorganisation geschickt ihre Spuren verwischt. Schließlich kommt es zur harten Konfrontation zwischen dem CIA und der Organisation...

The World at War: A Special Presentation - Secretary to Hitler

"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965)."

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

Pale petal and stem-like shapes counter punted rhythmically by an even paler "background" of truly ephemeral of truly ephemeral (almost invisible) shapes. Again, the foreground movement is clockwise and often "ribbed" as the film darkens into a blend of foreground/background and, eventually, a meld as of white hardened clots fretted by glyphs.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Die Geschichte eines in die Jahre gekommenen Fußballstars und eines jungen Fußballfans: Im Israel der späten 1960er ist Eitan ein erfolgreicher Stürmer seines Vereins. Der junge Nimrod bewundert ihn und nimmt Reißaus, um ihn persönlich kennenzulernen. Der Spieler selbst nimmt sich immer wieder vor, aufzuhören. Doch Sorgen um seine Zukunft hindern ihn daran. Da macht ihm der skrupellose Yasha ein verhängnisvolles Angebot: Wenn Eitan dafür sorgt, dass sein Team verliert, ist für seinen sicheren Lebensabend gesorgt. Als der Spieler auf das Kind Nimrod trifft, beginnt er seinen Plan zu überdenken ...

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)