Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Seit einigen Jahren arbeitet Max jetzt schon als Anwalt. Früher war er jedoch ein zu einer wahren Kampfmaschine ausgebildeter Elitesoldat der U.S. Marines. Als er eines Tages aus dem Büro nach Hause kommt, findet er dort seine Frau ermordet vor, während die gemeinsame Tochter offenbar entführt wurde. Als Max daraufhin alle Hebel in Bewegung setzt, die Kleine zu finden, wird auch noch sein Bruder Jerry brutal getötet. Mit Hilfe von Gerichtsmedizinerin Dr. Delaney sowie der Cops Vasquez und Santiago findet er heraus, dass der Gangsterboss Ellis für all diese Taten verantwortlich ist. Offenbar hatte Jerry eine große Summe von Ellis‘ Geld verloren. Nun fordert der Verbrecher den Betrag von Max zurück und verspricht im Gegenzug, dafür dann dessen Mädchen freizulassen. Angetrieben von Rachegedanken versucht Max mit allen ihm zur Verfügung stehenden Mitteln das Geld aufzutreiben. Er weiß: Nur so kann er Ellis gegenübertreten, seine Tochter befreien und den Schurken eliminieren …

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

Um seine Mutter zu retten, muss Tristan bei seinem ersten Wiedersehen mit Lancelot seit dem tragischen Unfall lernen, die Dämonen in seinem Inneren zu besiegen.

A ist der Debütfilm von Mitchell Stafiej aus dem Jahr 2016.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Im gesetzlosen Westen hatten bisher „Die Cowboys“ das Sagen, eine berüchtigte Bruderschaft von Mördern und Dieben. Mit brutalen Fäusten und scharfen Waffen unterdrückten sie das Land. Aber das Schicksal hat sich gewendet und die einst so gnadenlose Bande besteht nur noch aus einem Mitglied, das jetzt erbarmungslos gejagt wird.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Nach dem Unfalltod seiner schwangeren Frau versucht Ryan die Beziehung zu dem gemeinsamen Sohn Billy zu verbessern, die stark unter der ständigen Abwesenheit des ehemaligen Soldaten gelitten hat. Aber Billy zieht lieber nachts mit seinen Freunden durch die Straßen, als Zeit mit seinem Vater zu verbringen. Die Situation spitzt sich zu, als ein ehemaliger Kamerad von Ryan auftaucht und einen Gefallen einfordert. Dafür muss Ryan seine einzigartigen Fähigkeiten nutzen, um die kriminelle Unterwelt zu infiltrieren ...

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

A band of vikings are on the run from a blood thirsty group of Berserkers who want to fight to the death.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.