When a man dies, his wife, ex-wife, and daughter-- three Arab women living in modern day Jordan-- must put their differences aside and work together to deal with the inherited family home.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.

A poor but very decent teacher, Telis, who has resigned from his job, finds a winning lottery ticket in the street. Suddenly, his life changes radically. But he then discovers that someone has put it in front of him deliberately.

Anger, guilt, resentment, rage, innocence, closure, peace are all explored in 10 people's last words from the gurney on death row. Based on true events.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Singer Joan Whitney, called the "Sweetheart of the Navy" by sailors, is struggling to re-open the Snug Harbor Cafe. After her partner, Richard, skips town with the money owed to their creditors, the club opens unceremoniously. Two of Joan's sailor friends, Andy and Pete, offer to help her raise money for the club by staging a fight with Bumper Martin, boxing champion of the fleet. At Andy's request, straight-laced yeoman Eddie Harris replaces him in the upcoming fight. Andy and Pete then intimidate or coerce the sailors into betting on the fight, promising to give Joan the profits. Navy Commander Lodge, who is grooming Eddie for the Naval Academy at Annapolis, is against the fight, however, and Joan decides to "vamp" Eddie to make him fight.

A simple sound at night turns into something far more dreadful.

Miriam Torres stopped seeing and hearing at the age of 7. She learned to speak whilst being deaf-blind and now at 55 years old, she teaches other people with the same disability on how to communicate with others. Based on the diaries of Miriam, the film takes you through the inner journey of a woman seeking to recall the forgotten sights and sounds of her childhood, her mother's face, her own face, and the last image she saw and heard in her life.

The story of the wife of Vyacheslav Molotov, a Russian revolutionary, Soviet political, state and party figure, chairman of the Council of People's Commissars of the USSR in 1930-1941, Minister of Foreign Affairs of the USSR in 1939-1949, 1953-1956. The film is about love, friendship, devotion, human helplessness before the fate and moloch of great historical processes.

Megan Carpenter ist aufgeweckt, hübsch und Novizin im Kloster St. Catherine, wo sie sich im angegliederten Waisenhaus liebevoll um ihre kleinen Schützlinge kümmert. Ihre Welt ist in vollkommener Harmonie – bis eines Tages der Pachtvertrag des Klosters von Sean Hastings, Tweedfabrikant und Eigentümer des Grundstücks, nicht verlängert wird. Couragiert beschließt Megan Mr. Hastings auf seinem Anwesen Penlee House aufzusuchen, um das Waisenhaus zu retten. Ihr Unternehmen beginnt fulminant, sie rettet Seans kleinen Sohn Simon, der beim Spielen in einen Teich fällt und hofft auf Seans Dankbarkeit. Doch der ist nicht bereit, die Kündigung des Klosters zurückzunehmen. Seit seine Frau und die Mutter seiner Kinder vor einem halben Jahr bei einem tragischen Autounfall ums Leben gekommen ist, hat er seinen Glauben an Gott verloren.

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.

Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.