A man wrestles with his personal demons and obsession with a writer's life.

Three Mexican-American brothers disagree on how to handle their father as he struggles with his addiction at a lonely quiet bus stop.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Ron hat beim Tauchen zufällig eine Münze der vor 200 Jahren gesunkenen Santa Elena gefunden. Gemeinsam mit Kapitän Carnahan will er den Schatz bergen. Zur Unterstützung engagieren sie noch zwei ehemalige Marinetaucher, Ben und Larry. Nach zwei Wochen mühseliger Suche haben sie das Wrack endlich wiedergefunden, doch dort wimmelt es nur so von Haien. Um den Schatz bergen zu können müssen sie erst die Haie loswerden. Doch grade, als man den Schatz geborgen hat, …

An old bus drives through the streets of Rome. It's a long day. The bus fills up with people and stories. Then empties out. People get on. And get off. Faces, eyes. Expectations. A few encounters. Incidents. Slips. Ambiguities. Thefts. Rows. Confiding exchanges. Confessions. Projects. Plans. Lies. Slaps. Even one hijacking. A well-defined route can become a journey. Each encounter can become a future opportunity or can lay a former wound to rest. Every stop may produce the person who will change your life trajectory. Or not, and the bus carries on. At the next turn, someone else will get on and a fragment of his life will for a moment touch yours.

With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Shankar's brother remarries after the death of his first wife, and then Shankar wrongfully gets ousted from his own home by the new wife and her brother. Years later, he decides to expose their true intentions.

Join Pocoyo and his friends on a new fun-filled circus adventure! One day a group of curious aliens arrive in Pocoyo's world. Pocoyo soon realizes that these new friends are not just any aliens; in fact, they are circus aliens! Their new friends treat Pocoyo and the gang to a free day at the circus, where Pocoyo and his friends must work together to help save the show! Will they do it? Find out in Pocoyo & the Space Circus!

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

A woman is asked to dogsit for her mum's friend. Unfortunately the dog has passed and the woman is left to work out a way to transport the deceased pet to the vets.