1 accident, 3 incidents, 3 horrors, 3 days that marked the beginning of love until death do us part. It happened during the 11th, 12th, and 13th April which is during the Songkran festival.

A portrait of teen escort, 'Coco'.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

In a close-knit community, imagine a teenager’s struggle with asexuality, where faith clashes with personal discovery.

Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.

A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.

An aerial performer and her young adult son grapple with her understanding of his transition via letters and physical performance.

A journey to say goodbye to their love.

Benjamin act as a moral guardian as he saves both a female thief and a child during Christmas in a futuristic Denmark.

Yosemite Sam and Bugs battle it out over property rights above Bugs' rabbit hole.

An ill teenager believes that he can live normally. He meets a girl. They are both fans of the music group "Mesecina".

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

While recuperating in a hospital after he's hit by an automobile, a struggling shopowner dreams what his life might have been like if he'd made different choices twenty years earlier.

The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.

1889 in London: Vor einem Jahr trieb der berüchtigte Serienkiller Jack The Ripper sein Unwesen in der Stadt. Dann hörten die brutalen Morde ganz abrupt auf. Die Identität des Täters bleibt allerdings weiter ungeklärt. Sebastian Stubb, ein Zeitungsreporter, der schon deutlich bessere Zeiten erlebt hat, ist längst dazu übergegangen, von anderen Skandalen zu berichten, die jedoch kaum jemanden interessieren. Da landet plötzlich ein Brief auf seinem Schreibtisch, der vom Ripper zu sein scheint. Kurz darauf werden auch wieder einige Prostituierte auf die gleiche Art getötet wie damals. Unversehens findet sich Stubb im Zentrum des die Massen erneut faszinierenden Geheimnisses. Ist der Ripper wirklich zurückgekehrt? Handelt es sich vielleicht um einen Nachahmungstäter? Oder ist Stubb selbst in die Sache involviert, um seine Karriere noch einmal in Schwung zu bringen, wie die Polizei zu vermuten scheint?

Forty years ago, a documentary film about Soviet cardiac surgeons was released. Perhaps, for the first time on our screen, doctors reflected on the value of human life, talked about their experiences caused by the death of a patient, about the imperfection of Soviet medicine, the lack of knowledge and responsibility of doctors. For forty years, medicine has made an incredible breakthrough, but the moral problems that plague doctors have remained the same. “You can’t get used to death” is the leitmotif of the paintings, old and new. The film was awarded as the Best Non-Fiction Film at the Russian Film Festival "Window to Europe" - 2016.

The story of a young Colombian recruit who, while patrolling his country's border, is befriended by a Venezuelan adversary, and the tragic consequences of their relationship.