Iver's favorite thing to do is swim, but today the swimming lesson is cancelled. He sneaks by the receptionist to do some swimming anyway. No matter what Iver does in the swimming pool, the strict sound of the lifeguard’s whistle is heard. Eventually he gets thrown out. He is sulking in the reception area. People are leaving the swimming pool, and Iver gets an idea! He sneaks back in to do some more swimming. But suddenly somebody is coming – it´s that scary lifeguard…

Two teenage boys escape an unhappy home, embarking on a perilous journey of self-discovery that takes them deep into the Newfoundland wilderness.

Emily Stoll ist intelligent, schön und wohlhabend, sie hat alles bis auf eine Sache, die ihr Glück perfekt machen würde, ein Kind. Um diesen Traum zu verwirklichen, stürzt sie sich mit voller Leidenschaft in die Männerwelt, bis sie eines Tages schwanger wird und einen Sohn gebärt. Von nun an zählt nur eins in ihrem Leben: Sohn Paul! Die Liebe zu ihm ist unerbittlich und allmählich entwickelt sich aus der einst so liebevollen Mutter, eine paranoide und von Liebeswahn verfolgte Mutter, die mit ihrem Sohn in ihrer ganz eigenen Welt lebt.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Julián is lucky to be a father. Unlucky to be a widower. It’s never been easy. Nor will be.

Mahesh (Srikanth) is a sincere and honest police officer. He loses his kids and his wife gets paralyzed as few politicians who don’t like his sincerity harm his family. Mahesh changes his appearance and name to join the gang to politicians to become one. The rest of the story is all about how he makes people realize that there is some fault in the system.

The opportunities to love, to live, to achieve the goals and dreams are the same that escape Fito, a young alcoholic fascinated by sports cars and street racing, but he will suffer the consequences of that lifestyle.

A young girl is sent to live with Amish relatives in post-war Pennsylvania, where her life dramatically changes.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

The Deputy Director of the Qinshan County Bureau of Commerce makes poor business decisions and opposes his daughter's relationship with a man who points out the Deputy Director's errors.

The skaters dart to and fro, swinging their hockeys and trying to hit the disc toward the goal.

A fencing match. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Vivienne Dick - 1983 Like Dawn to Dust takes up the exploration of the rural landscape initiated in Visibility Moderate but it is characterized by a very different mode of address. Instead of appropriating from radio, television or film, Dick develops a more overtly 'poetic' aesthetic, through performance, cinematography and sound. The opening shots of a decaying 'Big House' bearing the scorch marks of a fire, are accompanied by an off-key piano, recalling stage melodrama or early cinema. The house, most likely a remnant of Anglo-Irish society, is abandoned but for the figure of Lydia Lunch, wearing her signature New York 'Goth' make-up and clothes. Lunch delivers a poetic monologue, both on screen and in voice-over, over a traditional soundtrack and her final words emphasize the circularity of Irish narratives: 'the past never dies, it just continually repeats itself.'