Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Durch den Reboot und dem Verlust ihrer Erinnerungen haben die Digimon auch die Bindung zu ihren Partnern verloren. Während die DigiRitter das Vertrauensverhältnis zu ihren Partnern langsam wieder aufbauen können, schlägt Biyomon jegliche Annäherungsversuche von Sora mit abweisendem Verhalten aus. Sora ist so frustriert, dass sie sich von den anderen abkapselt und noch nicht einmal Tai und Matt können ihr helfen. Unterdessen begegnen die Kinder Meikuumon, die als einzige ihre Erinnerungen behalten hat. Die DigiRitter beschließen, sie und Meiko wieder zusammenzubringen. Jedoch taucht mit Machinedramon ein übermächtiger Gegner auf. Im Kampfgetümmel werden die Kinder voneinander getrennt und zu allem Überfluss entpuppt sich auch noch ein alter Vertrauter als unberechenbarer Feind.

Der kleine litauische Ort Rukla, gleich weit entfernt von der russischen und der belorussischen Grenze, ist Sitz eines NATO-Stützpunkts unter deutschem Kommando. Sieben Monate bevor Russland die Ukraine angreift, beginnt dort ein Filmteam zu drehen. Es begleitet die Bundeswehrsoldatin Nina, die Bürgermeisterin, ein Rentnerehepaar und einen Lebenskünstler aus einer lettisch-russischen Familie. Dann kommt der 24. Februar 2022. Kampfbereitschaft ist am Stützpunkt jeden Tag zu sehen und zu hören. Manöver und Übungen der NATO finden das ganze Jahr über statt. Dieser Umstand richtet die Bewohner von Rukla zwischen West und Ost aus, hier haben alle eine Meinung. Stellvertretend für die NATO begleitet die Kamera die Soldatin Nina durch das halbe Jahr ihres Einsatzes in Litauen. Als sie in Rukla landet, ist Russland noch ein Feind ohne Namen.

Superman has to save Lois Lane from a cult of hawk-people in an homage to Edgar Rice Burroughs's "At the Earth's Core".

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Eine Langzeitbeobachtung radikaler Jugendlicher , so nennt Andreas Voigt seinen vierten Dokumentarfilm, den er von Dezember 1992 bis Dezember 93 in Leipzig drehte. Die Welt dieser Jugendlichen aus der rechten und der linken Szene und die des Unternehmers Dr. Jürgen Schneider, der in Leipzig Immobilien macht, haben nur scheinbar nichts miteinander zu tun... Über Gewalt und Aggression, Hoffnung und Träume und Ängste.

A son, after coming to know that his father is an evil personified, eliminates him with his own hands.

When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

In the foreground, smoke billows. Four horse-drawn fire wagons approach and pass in front of a stationary camera. Two horses draw each wagon, and each wagon carries from two to eight firefighters. After the wagons pass, carts and pedestrians resume traffic on the street.

Four people plan to rob a bank on new year's eve, when no one will notice because of the celebrations.

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.