Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.

A hospital surgeon (James Dunn) protects a mystery woman (Gloria Stuart) who knows too much about a card-game murder.

At the bottom of the world is a place of wild isolation. Antarctica. Its vastness and extremes defy description. From volcanoes to glaciers... and peaks that scrape the sky, its geography is like nothing else in the world. Its wildlife embraces harsh, alien landscapes. And the people that make their home there for part of the year survive amidst unbelievable conditions, thanks to some of the most creative problem-solving on the planet. Filmed principally in the Sub-Antarctic and Ross Sea region as a series of vignettes - each based around one astonishing location after another - viewers will explore one of the most remote, and least-visited parts of the continent; less than 500 tourists make the journey to this region each year. Few places on earth capture the imagination like the great white continent. Now see it as it’s never been viewed before.

The story begins with a swashbuckling thief, Surendra (Nandamuri Balakrishna), also a master of disguise, who always targets Vidhatha (Charan Raj), dictator of the city and he is being tracked down by SP Indrani (Sharada), an efficient Police officer. Surendra contracts a multi-speciality hospital for work free of cost with all this money. Whether Surendra and Indrani will be able take revenge against Vidhatha, and he will be able complete the hospital forms the rest of the story.

Two farmworkers emigrate to USA to work on a Texas ranch, then go home and put their lives back in order.

Through their thoughts, their secrets, their joy and pain, we enter in the universe of five women in the pursuit of happines, in a country where discrimination, explotation, violence, harassment and lack of opportunitties are part of the purest and brutal daily life. An example of endurance, strength and struggle for a better life.

Renowned actress Michelle Yeoh journeys home to Malaysia to get to know her adopted orangutan, learning from the Sepilok Rehabilitation Centre about the efforts being made to safeguard and sustain this endangered species.

Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s never quite allowed to detract from the haunting beauty of many of the images. The end of autumn is heralded by a few red leaves still clinging to a statue’s sculpted robes, while whip pans across the increasingly wintry landscape and close-ups of rippling water are given character by seemingly random freeze-frames and Zoltán Jeney’s electronic chirrups on the soundtrack. There are recurring shots of birds, migrating en masse, huddled by the icy water or lying individually dead, frozen stiff in the snow. So far Capriccio has been a reasonably generic mood piece, but then the snowmen arrive…

Johnny tries hard to impress his girl, but she seems to be much more interested in movie stars.

Two astronauts arrive on a strange planet and tour it in search of intelligent life; but when the encounter with the local civilization finally takes place, the mission of the travelers suffers a new and unexpected setback.

Elliott Gould narrates this affectionate look at life in the shtetls of Eastern Europe in the 19th and early 20th centuries. "It's unreal that all this could have just disappeared," says Polish native Mariem Adler Stok, one of the seniors whose memories of this "Yiddish world" give this documentary its life. The hour traces Jewish history in Europe and explores Jews' focus on education, their religious customs, clothing, food, music and theater.

The end of the world of humanity as seen by Mandico. A time, as much future as current, where “cinema will be will be all other and nothing else”. Where, “it will be the last appointment of the flesh”, where “the energy will be cannibal and the sun will reflect to say nothing”. Pessimistic or optimistic is this cinematic pamphlet on art? In this destroy, and barbaric, jubilant and cinematic transgressive performance, it's up to you to think. Because thus spoke Bertrand Mandico...