A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A young woman must confront her inner demons personified as a swamp monster in a battle for self- acceptance.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

Joy, a secretary at a large multinational company, has an online shopping problem, likes to read adventure novels and watch travel and adventure shows. She daydreams about living a life of adventure.

This Final Performance Tribute began on Les Paul's 90th birthday when luminaries from the musical world gathered to celebrate at New York's historic Iridium Jazz Club. Les and friends jammed every Monday for the next four years until the legend left us. Great moments from many of those cool sessions are presented in this tribute to the man who created a sonic boom with the solid-body electric guitar. About the Collector's Edition: Les jams live with special guests like Keith Richards, Steve Miller, and José Feliciano. Musical luminaries Bonnie Raitt, Tony Bennett, Sonya Hensley and others share their thoughts on Les. Includes 23 songs played by Les, like "Tennessee Waltz", "Route 66", "Back Home Again in Indiana", and the original rendition of "How High the Moon" with wife Mary Ford.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Mario Paz is a grey and unadventurous office worker. One day, in his eternal way from home to work, it appears an obstacle: Coco, a strange guy who has planted in his front door and just looks at him in silence. Mario will never be able recover his routine.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

A series of murders in the state of Mexico raise the alarm regarding the presence of vampires, which according to experts, governments around the world are hiding.

A young noblewoman regrets having to marry the village ironmaster for money reasons, but later comes to appreciate her new husband.

Boonchoke failed an entrance exam last year, but this year he makes it through into the medical school of a famous university in the north of Thailand. But the medicine he's studying is not the modern one, it's traditional herbal medicine. Boonchoke's parents, Boonchu and Molee, agree to let their only son go live in Chiang Rai for his study.

Beim autofahren sollte man nicht streiten. Diese Erfahrung machen auch das Ehepaar Cliff (Martin Donovan) und Abbey (Julia Anderson). Während sich nämlich die beiden in die Haare bekommen haben, kommt es zu einem Autounfall, bei dem sich der Wagen überschlägt und Feuer fängt. Während Cliff mit dem Schrecken davon kommt, verbrennt Abbey in der Flammenhölle. Doch Abbey überlebt und wird im Krankenhaus nun mit allerlei technischem Gerät künstlich am Leben gehalten. Doch Cliff möchte nicht, dass Abbey weiter leidet und will die Gerätschaften abschalten. Dumm nur, dass er Abbey mit einer seiner Assistentinnen betrogen hat. Abbey will Rache und das, obwohl sie völlig verbrannt ans Bett gefesselt scheint.

A short film about a seance in Qajar- era of Persia. The Ouija session goes wrong because of the psychic's mistake and triggers a humorous disaster.

Sociological study of the real values of young people in socialism.

Octopus is still ruling her castle from a cave. She tries to trap the Deer but they manage to escape from the castle. On the other hand, the White forehead's mother is back once again and wants her child back.

In this documentary Roy Lichtenstein is interviewed and discusses his life and art work, what influenced him, where his ideas came from, how his art adapted and how and why it changed over time. He discusses the Pop Art movement, a bit, mostly how he was one of a number of artists making art that was then called Pop Art. Also interesting is Lichtenstein tells what different art critics have said about different phases of his art and he shares his personal reactions to their statements. Additionally some footage of people criticizing and discussing his artwork is included, almost in a “he said, she said” manner which makes the viewer think about how sometimes what others say about an artist’s work may be a bit off or just wrong. Contrary to what non-artists may think, artists do usually have a reason or an inspiration behind what they create. Lucky for us this documentary allows us into the brilliant mind of Roy Lichtenstein.