To support her family and pay off her mother’s debt, Eun-Soo (Lee Ha-Na) works at a dentist clinic during the day and part-time work at night. She is 36-years-old and still single. She hopes to one day live her life for herself and not her family. The time to achieve her dream comes and she finishes paying off the loan. Something happens though.

In a hospital parking lot, Officer Song Yeon-hwa is briefed about Park Pung-shik, an alleged gigolo who preys on rich housewives. One of his latest victims is the police chief's wife, who refuses to testify against him, despite giving him $30,000. Song is told to go undercover as a hospital patient in order to secure evidence leading to his arrest. In the hospital, she finds the mild-mannered Park and talks to him over coffee, where he mentions that he ballroom dances for a living. Song asks him why he came to become a dancer and he starts his story.

Sui Wai lost her fiance Ah Man in a car accident. With the obligations of life sitting heavy on her shoulders, she lives on only to find herself confiding in her beloved through a phone call. Dai Fai. a mini-bus driver who witnessed Ah Man's death, is always there offering her attentive encouragement and support, yet he himself also lives in the shadow of his last relationship. When Siu Wai strives to face the future without the man she loves, Dai Fai finds himself steadily falling in love with her.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

Lucien Knops (Nand Buyl) is a grumpy old man. When his wife passes away, he moves in with his daughter Gerda. It doesn't take long before tensions rise and Lucien moves back into his old house, claiming that his new lover will move in with him. Gerda is worried that she will miss out on her father's inheritance; even more so when an interesting new woman moves in next door to Lucien.

The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially better life is through prostitution, often with truck drivers.

Winter 1598, die Geschichte von Yi Sun-shins letzter Seeschlacht während der japanischen Invasion in Korea, die in der Noryang-Straße stattfand.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Mit elf Jahren ist Billie auf dem besten Weg, in die Fußstapfen ihrer Mutter zu treten, die als Astronautin das All erforscht hat.

Sam's best friend Roxanne is determined to capture footage of a ghost on videotape, and drags Sam along with her on a visit to the local "haunted house". However, things become spooky when it appears they have found a real ghost.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

The Focus is the film about easy death on the Mediterranean sun.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Woody Woodpecker goes out to dine and accidentally stumbles into a taxidermist's shop, thinking it is a restaurant. The taxidermist, wanting a woodpecker to stuff, doesn't inform Woody otherwise.